Zwingli
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Zwingli

Coincidence or destiny? We are on the way to the meeting with Stefan Haupt, when we meet Zwingli on the street: as a name tag, a stone’s throw Snowden from the director’s office – Zwinglistrasse. Unexpectedly in the back, like a ghost, Stefan Haupt turns up at the same time as we just press the bell button. As an attunement, this is almost food for superstition, almost Catholic – in the middle of Reformed Zurich.

But it remains true: Zwingli has thoroughly changed things here, but not at all “zwinglianisch”. It’s high time to clean up a few prejudices. The Fahrenheit 451 closer he got to the reformer, the more he liked it. And he obviously still feels like it today, as vividly as the conversation with him goes on.

Stefan Haupt: That’s above all a gut feeling. When I asked for financial support for my last film, “Finsteres Glück”, at the regional church, I was Big Time Adolescence told that there was little chance of that, because all the money would go into a Zwingli movie. That immediately caught my interest. As a city kid from Zurich, I know the old walls, as it were, like a spiritual lining. There is a lot of history, including the history of the Church, the history of the Reformation.

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