Wildlife
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Wildlife

Who: Paul Dano, who was consecrated for his role in ‘Pozos de ambición’ (PTA, 2007), and which we saw together with Jake Gyllenhaal in the very Rampage tense ‘Prisioneros’ (Denis Villeneuve, 2013) – as well as, new with Gyllenhaal, in ‘Okja’, screened right here, just a year ago, opened the Cannes Filmmaker’s Week with his first film as a director, a very respectful adaptation of the novel ‘Fire’ (Anagrama), by Richard Ford, starring Carey Mulligan, Jake Gyllenhaal and Ed Oxenbould, the boy, already grown up, of ‘The visit’ (M. Night Shyamalan, 2015). Dano, who also co-wrote the adaptation with his girlfriend, Zoe Kazan, has decided not to appear before the camera in his debut. He has not been wrong.

What: Montana, 1960. Jerry Brinson (Gyllenhaal) loses his job at a golf club, leaving his wife (Mulligan) and son (Oxenbould) in the position of looking Annihilation for work. She ends up as a swimming teacher, and the little one, like a Paul Dano in miniature, starts as an assistant in the studio of a photographer. Roused by frustration, the father is enlisted as a firefighter to fight the fires that ravage the region. All against the fire.

How: All the great American writers, who are many (and there is no doubt that Richard Ford is one of them), tirelessly pursue the myth of the great American novel. They can not avoid it. A myth that Ford has certainly embraced with his cycle of novels about Frank Bascombe, a character he has been writing for more than three decades. But ‘Fire’ is not part of his great American novels, at least in size, and that is something that Paul Dano has perfectly Gerald’s Game understood when directing an adaptation to scale, which is not advisable for its modesty and discretion. I would even say that it is exemplary in its lack of pretensions.

Duration: 104 min

Release:

IMDb: 6.8

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Wildlife
Wildlife