Train to Busan
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Train to Busan

Yeon does not waste time explaining the Murder on the Orient Express origin of the plague that is spreading at incredible speed throughout Korea. We are told in passing about a leak in a biotechnology plant, and that’s it. News reports warn of the outbreak of a pandemic and, almost immediately, humanity goes to hell as the bodies, mere moments after being infected, begin to revive. We speak of monsters of the variety ’28 days later ‘: although they wiggle like puppets out of control, they are fast, very motivated and extremely aggressive. What makes them unique is that they do not seem interested in tearing their victims apart. After the first bite they run to the next dam, turning one of their own to anyone who crosses their path in just a few seconds, and that makes the speed at which the outbreak spreads throughout the country is more credible and terrifying

The last person to get on the title train does not run precisely because he is late. Thanks to her, at a devilish pace, a chain reaction begins that extends the infection through the wagons and zombifies more than half of the travelers. For those who initially survive, it is not clear if there will be shelter beyond the vehicle’s doors; especially after, once the train arrives at its first stop, it is clear that by then all the stations will have already been invaded by living dead.

Yeon is resoundingly effective in sketching through a succession of vignettes the disparate characters in the story – the businessman who only thinks of saving his own ass, the pregnant woman, the adolescents in love, the older ladies; all of them will face respective vital lessons that may allow them to reach the third act and maybe not. In any case, the narrative function of most of them is to help open eyes to Seok-woo, a carefree businessman who has reluctantly agreed to accompany his daughter to Busan to see The Girl on the Train the mother and ex-wife. The shrewd plot twists orchestrated by Yeon make their transformation from selfish antihero to courageous progenitor, although incredibly predictable, is entirely convincing.

Duration: 118 min

Release:

IMDb: 7.5

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Train to Busan
Train to Busan
Train to Busan
Train to Busan
Train to Busan
Train to Busan
Train to Busan
Train to Busan
Train to Busan
Train to Busan
Train to Busan
Train to Busan
Train to Busan
Train to Busan
Train to Busan
Train to Busan
Train to Busan
Train to Busan
Train to Busan