The Witch Files
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The Witch Files

In the wide range of possibilities through which the horror genre develops in the seventh art, the horror comedy is one of the Tag formulas that has given great pieces to it; Braindead, The Day of the Beast and Juan de los Muertos could be three wonderful encounters between horror and comedy between these last two centuries.

Macabre FICH of the CDMX has been a great enthusiast of these film genre encounters and as part of his selection in his seventeenth It Comes at Night The Kick Rankin The Witch Files (Night of the Living Deb; Infestation (which also exhibited the festival in another of his past broadcasts) will be able to be appreciated during this coven on Thursday, August 30, at the Chopo Cinematógrafo with the presence of its producer and for the second time on its way through Cineteca Nacional on the 28th of the same month.

The Witch Files has the challenge of becoming the reformulation of The Craft (Young Witches 1996) that twenty-two years away from its Hush obligatory referent, manages on the one hand to entertain with genius and good audiovisual rhythm, on the other, to provide the adolescent audience of this century, the student-socio-economic and racial portrait of interaction in American universities.

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The Witch Files