Death Note
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Death Note

The manga / anime of Death Note is an untouchable classic. ” Such statements could stop anyone who dared to make an adaptation of the The Bad Batch story written by Tsugumi Ōba and illustrated by Takeshi Obata. Contrary to this thought, it is to be celebrated that there are projects and people who intend to make adaptations with the intention of contributing new things and enriching the original history, even if it is a worthy tribute or simply to revisit a beloved history, among other things.

After three Japanese live-action movies, videogames, artbooks, light novels … the latest adaptation of Death Note is an American live-action film produced and distributed by Netflix and directed by Adam Wingard (You’re Next, The Witch of Blair) The film takes place in Seattle, and therefore those involved took on the task of globalizing the  Snowden story. In essence they would be the same characters, but with different nationalities and surnames, Light Yagami here is called Light Turner, Misa is Mia, L is African American, and the rules around how the death book works would change to fit a new context.

So far, everything looks good. They are understandable changes and with which we could live. Unfortunately, the problem is in everything that followed. Death Note could have worked if it had maintained the essence of the original plot, and  The Boy not just the story of a young man who finds a notebook with supernatural powers through which he can kill anyone by writing his name and visualizing his face. There is something equally important, crucial, necessary for this story to carry the title of “Death Note”: the intellectual and Machiavellian struggle of two extremely brilliant and enigmatic characters, Light and L, whose wit and strategy position the work of Death Notice at a higher level talking about creativity in the script, in terms of intellectuality and psychology.

Duration: 101 min

Release:

IMDb: 4.6

Death Note
Death Note
Death Note
Death Note
Death Note