Black Tide
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Black Tide

Erick Zonca, the director of Black Tide, a psychological thriller and police procedural, which just had its premiere at the 34th Haifa International The Tree of Blood Film Festival (which runs through October 1) and which opened in theaters throughout Israel on September 27, knows his film is dark. It features an extraordinarily flawed main character, a plot that features sexual abuse and even victims who are complicit in some of the crimes.

But the director owns its darkness, and cares for his characters in spite of – and perhaps because of – their flaws. “There is something very disturbing in this Criminal movie,” he acknowledged. He was speaking both about some twists and turns of the plot and about the protagonist, Francois Visconti (Vincent Cassel), an alcoholic police detective whose own son is involved in selling drugs and who indulges in inappropriate sexual liaisons that could certainly get him into big trouble in the post-#MeToo world.

But Visconti’s relationship with his troubled, drug-dealing son is not the main plot, which instead focuses on the disappearance of a preteen who has been extremely stable up to that point. His parents are together, his father works and his mother takes care of his developmentally disabled younger sister. The one element that raises suspicion is the extreme interest of his former tutor Wish Upon and neighbor, Yann (Romain Duris). Yann is an aspiring novelist who works in a basement office, seems more comfortable with words than with people, ignores his young wife and baby and has more than a few secrets.

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Black Tide
Black Tide